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dimanche 23 novembre 2014

Watch Bruno Mars and Mark Ronson Funk Up 'SNL'


Mark Ronson and Bruno Mars visited Saturday Night Live last night to debut their new track "Uptown Funk," and the duo – backed by a powerful horn section, a quartet of backup singers and a surprise guest – used their Chic-infused single to turn the SNL stage into a smoky, funky dance club.

The highly stylized performance was reminiscent of the duo's recent "Uptown Funk" video and the Morris Day and the Time sequences in Purple Rain. The venue in which Mars and Ronson were playing, on one of the most revered stages for the past 40 years, also added an extra dose of meaning to the lyric, "Saturday night and we in the spot, don't believe me, just watch."

Throughout the week leading up to the SNL performance, it was reported that Mars and Ronson would be joined by a "very special guest." That rumor became fact on their second song of the night, the James Brown-inspired rave-up "Feel Right," when "Shake Ya Ass" rapper Mystikal grabbed the microphone, pushing Mars to backup duty. The track itself grooves like a modern, up-tempo take on the Godfather of Funk's "I Feel All Right," and Mystikal does his best Brown impression, delivering each line like a sermon.

"Uptown Funk," and presumably "Feel Right," will feature on Ronson's upcoming fourth LP Uptown Special, out on January 27th. The album features lyrics by writer Michael Chabon as well as significant vocal and instrumental contributions from Tame Impala's Kevin Parker. Miike Snow's Andrew Wyatt, producer Emile Haynie, Simian Mobile Disco's James Ford, TNGHT's Hudson Mohawke and DJ Zinc also feature on Ronson's album.
"Uptown Funk" was co-written and co-produced by Mars, who makes his first vocal appearance since releasing his own Unorthodox Jukebox in 2012. Previously, Mars and Ronson teamed for three tracks on that album, including the Grammy-nominated hit "Locked Out of Heaven."

dimanche 9 mars 2014

Family Friendly Paradise in Fiji

Travel writer Fiona Harper discovers one of her all-time favourite hotel rooms and more at the Jean-Michel Cousteau Resort in Fiji. 

“Sorry I’m late, I fell asleep on the massage table.” It’s not a bad excuse is it? Slick with scented Pure Fijian body oil and looking slightly unkempt thanks to ‘spa hair’, I’ve kept my fellow passengers waiting for our jaunt to Nakawaga rainforest and waterfall.

Lulled to sleep post massage, in true ‘Fiji time’ therapist Selai allowed me to slumber on for 35 minutes before I woke myself embarrassingly by snoring. It’s usual for the masseuse to give a gentle yet firm shake a few minutes after a massage is complete. But not today. Which sort of sums up the attitude of many Fijians whose mantra seems to be ‘take your time’, reflecting their warm generous nature, where nothing is rushed, knowing that everything happens eventually.

Travel-Fiji-Jean-Michael-Cousteau-Resort7-villa-body

This attitude is in abundance, in the nicest possible way, at Jean-Michel Cousteau Resort, a few minutes from downtown Savusavu on the island of Vanua Levu. A serious contender for one of the finest family friendly resorts on the planet, every child is allocated their own private nanny upon arrival. Predominantly women (though I’m sure a male nanny would be available if requested – nothing is too much trouble at JMC), their orange and blue shirts are spotted everywhere. Each has a young child in their arms, riding their backs, walking hand in hand or poking around the shallows on the beach. It’s hands on, interactive child minding with a subtle environmental educational approach, that enables parents to share adult time with eachother, rekindling romance or allowing time to talk uninterrupted, knowing their kids are in the very best hands.

While many Kids Clubs are tacked on as an afterthought at JMC, the Bula Club is one of its main features, taking up a good portion of the vast landscaped grounds. With its own commercial kitchen, swimming pool, waterslide, tree house (which looks like so much fun I’m tempted to climb into it myself), miniature tennis court, table tennis table, crèche, quiet areas and noisy areas, it’s the key to extraordinary repeat guest numbers. Indeed, some families have been spending annual holidays here for years. Beyond the kid’s facilities, the attraction for adults is equally enticing, combining luxurious bures, fine food, child-free serenity zones, activities aplenty or peaceful daybeds for doing absolutely nothing. Designed on a traditional Fijian village, it’s a winning combination that ensures JMC appears on ‘best of’ lists worldwide.

In a crowded field of would be contenders there’s a plethora of resorts laying claim to offering the very best hotel rooms, service and facilities. But what qualifies as ‘best’? And who is qualified to make this claim anyway? Sure there are strict criteria when it comes to hotel star ratings that determine whether a property rates (and retains) its coveted five stars or is relegated lesser status. But a star rating is not necessarily the best indicator.

Travel-Fiji-Jean-Michael-Cousteau-Resort-serenity-pool-body

So, while any ‘best’ assessment or list is subjective, I’m prepared to risk the wrath of more worldly travellers and place The Villa (or simply Bure 25) at Jean Michel Cousteau Resort Fiji in my list of Best Hotel Rooms. Why?

Firstly, for the rather unsexy reasons of an abundance of natural light and ventilation – an absolute essential in the tropics. I have a love/hate relationship with air conditioning, preferring the sensation and aromas of tropic-infused air wafting over warm bare skin. Feeling cold is not a sensation I embrace whilst in the tropics. Banks of timber louvers fitted with insect screens keep the bugs out and the breeze in. A shower with double overhead roses has a glass sliding wall opening onto another one outdoors (there are actually four showers in The Villa, because one is rarely enough right?). The bathroom is palatial with a glass wall beyond the stone hot tub that looks into a high-walled garden courtyard with waterfall.

Secondly, space. There’s plenty of it. A master bedroom is dominated by a muslin curtained four poster bed. Slide back the louver doors to welcome the south easterly trade winds and enjoy the view across the deck, raised day bed and horizon edge private plunge pool which in turn flows onto grass, a beach and the ocean beyond. So much space.

Other reasons I rate The Villa highly include a pavilion living room with mini kitchen, linked to the bedroom by undercover dining area, which doubles as another bedroom with its own bathroom. There’s a full sized fridge to store fresh fruit snaffled from the organic garden nearby.

Did I mention the swimming pool? Located on the point, and therefore some distance from the main pool and restaurant area, The Villa is the only bure with its own private pool.

If your budget is a little more modest, ocean front bures, both one and two bedroom are spacious, beautifully appointed and oh so romantic. I particularly like Bure 24’s layout and island view, though another repeat offender swears by Bure 5. Limited to 25 bures, there are actually no bad ones.

But the main reason I rate JMC so highly is for the intangibles. With a strong environmental focus, a team of warm, hospitable staff and an ethos of sustainable tourism that supports the local community, JMC offers a holiday with heart. The place just has a good soul – you can feel it. Much like Fiji itself.

50 CENT CONFRONTS STEVE STOUTE

50 CENT CONFRONTS STEVE STOUTE
Although 50 Cent has made peace with Fat Joe and The Lox, he’s isn’t extending an olive branch to everyone. During half time at yesterday’s Knicks game,
Knicks Warriors
50 confronted former business partner, Steve Stoute. Earlier this week, Stoute assailed Fifty during his interviews with Angie Martinez and The Breakfast Club. Better watch what you say.

samedi 8 mars 2014

Rick Ross And Jeezy Fend Off Gun-Toting Assassins In 'War Ready' Video

Rozay and the Snowman have put their differences behind them, and this murderous new clip is further proof.

 Rick Ross and Jeezy appearing on a track together was a pipe dream just a couple of months ago, but now that the former rap foes have buried the hatchet, the pair appear to be all in.
Not only have Rozay and the Snowman linked up for "War Ready," the two also got together to shoot the music video. On Friday (March 7), Ross debuted the Taj-directed video on WorldStarHipHop.com, a site that thoroughly documented the past feud between the rappers.




And the cinematic clip is just as dramatic as the Mike Will Made It-produced track. The cameras open on Ross in a dank warehouse, standing in the dark as a team of masked, machine gun-toting assassins make their way inside of his and Jeezy's compound. Though they were once on opposite sides of the hip-hop fence, in the clip, Jeezy and Ross stand on the same side, as bosses, prepared to defend their respective positions at all costs.
The video's story line is of course an exaggeration of real life, but Ross assures that he and Jeezy are good. Maybe they aren't literally shooting in defense of each other — but they have formed an alliance in the studio.
"Where I'm from, if you ain't shed no blood, if you ain't lose no money behind it, it's really small talk," Rozay said of his old beef with Jeezy on Wednesday during an episode of "RapFix Live." "When me and him chopped it up, we did it like bosses and said, 'Let's set an example for the next set of entrepreneurs. It's bigger than us. Let's do it for the South, let's do it for the game.' "

Rick Ross And Jeezy Have Another Collaboration Coming
Jeezy and Ross emerge unscathed at the close of the video. Not that we would ever expect any other ending: After all, they have more music to record.
"We knocked out two records. One is mine, one is his," Ross revealed to "RapFix Live," alluding to another record on the way after the duo's Mastermind collab.

Ridiculousness in a new Outfit





About Ridiculousness
Rob Dyrdek hosts an internet video clip show with celebrity guests and co-hosts Sterling “Steelo” Brim and Chanel West Coast (Fantasy Factory's rapping receptionist).

Ridiculousness is back with an all new third season, and Rob Dyrdek returns with his hilarious take on the greatest viral videos on the Internet. Along for the ride once again are co-hosts Sterling "Steelo-O" Brim and Chanel West Coast, breaking down all new video categories like "Nut Snipers", "Russian Good Times", and "Probably Florida". With guests like Jersey Shore's Pauly D, Jackass's Steve-O and Bam Margera, and Hip Hop phenom Mac Miller, the third season of Ridiculousness may just be the funniest one yet.

MisterWives Covered Sam Smith’s ‘Money On My Mind,’ Aaaaand We Can’t Breathe

Listen to MisterWives' cover of Sam Smith's "Money On My Mind."
Take several deep breaths before you listen to MisterWives rendition of “Money On My Mind.”
We’ve been freaking out over MisterWives for a minute around here. The Jackson Five-esque, disco-pop beat on their debut EP, Reflections, had us ready to crown them the next golden children of pop.
So, imagine our delight when we heard the band’s cover of “Money On My Mind,” which was originally performed by Sam Smith, another artist we’ve had a completely healthy, functional, and in no way obsessive relationship with this year — why do you ask?
MisterWives’ cover doesn’t stray too far from the Woodies performer’s original, although they dial back the percussive energy and inject more organic-sounding rhythmic elements. Still, lead singer Mandy Lee more than holds her own against Smith’s broad vocal range — not an easy thing to do.
What really sells MisterWives’ cover for us, however, is the little detour they take near the end of the song, mashing up a few lines of The Notorious B.I.G.’s “Mo Money, Mo Problems.” Pardon us while we hook ourselves up to an oxygen tank…

South Carolina Rapper Speaker Knockerz Found Dead At 19

South Carolina rapper Speaker Knockerz (born Derek McAllister) was reportedly found dead in his home Thursday.
Richland County Coroner Gary Watts confirmed to WISTV that the promising MC was found inside his garage at his home located on Two Notch Road in Columbia.
A woman claiming to be the rapper's mother, Mesha Wilson, distraught because she hadn't heard from her son in days, took to Facebook for help find her son. In fact, Knockerz' last post on Twitter was March 4.
Although an autopsy revealed no signs of trauma, toxicology results are still pending for final disposition in the case.
No foul play is suspected at this time.
The 19-year old spitter wasn't signed to a major record label, but his YouTube page includes some 53 videos, including "Lonely" and "Rico Story (Trilogy)," which have been viewed by underground rap fans 1,977,235 and 3,152,684 times, respectively.
At the time of his passing, he had 49 downloadable tracks available for sale on iTunes.
On his latest single, "Dap You Up," posted online just over a month ago, Knockerz shows his lyrical dexterity over a beat that he produced himself. With lines like, "Got all this ice on my muf---kin watch, I think he mad cause I'm winning and he not/Y ou rappers hot, you better thank Mr. Guwop/ Go steal his flow 'cause if you don't yo sh-- gone flop," it's evident that Knockerz was no hip-hop neophyte on the mic.
McAllister's death is rumored to be the result of a heart attack, but the Richland County Sheriff's Department is continuing to investigate.

The Avett Brothers Give Brooklyn A Southern Makeover At NYC Show

"Brooklyn, Brooklyn, take me in. Are you aware the shape I'm in? My hands they shake, my head it spins. Oh Brooklyn, Brooklyn, take me in."
If any lyrics were appropriate for the Avett Brothers' night in Brooklyn's Barclays Center, those would be it. Though, throughout the show, all shaky hands were steadied and Brooklyn seemed to fully embrace the four-piece band from North Carolina.
Scott and Seth, along with bandmates Bob Crawford and Joe Kwon, transformed Jay Z's home base into a full-fledged Southern party, with openers Old Crow Medicine Show kickstarting the raucous bar vibe with their cover of Tom Petty's "American Girl." There were drunk girls in plaid, ridiculously long lines to the ladies' room, beer sloshing and hair flipping (most of it coming from cellist Kwon). Fans set their beers on the stage, as if they forgot all about the arena-sized concert they were at and imagined themselves at a more intimate tavern.

That intimate feel started early, as Scott began the show solo, strumming his banjo at the end of the catwalk, fans reaching to his feet. A fiddle soon joined him, and then bass, drums, more guitar and cello, building up into 2006's "Colorshow."

The signature Avett build-up is what powers their live show, with anticipation adding with every instrument played and verse sung. "Laundry Room," played in the middle of the set, is another example of this. It begins with piano and flows slowly with organ and guitar weaving in and out of the lyrics. The brothers harmonize and start echoing each other, adding up energy. The back-and-forth feeds into a swift banjo solo, which then breaks into an all-out hoedown, fiddle taking the spotlight.

Played live, the song has a hypnotic effect, captivating the audience at first and slowly carrying them through until, at last, they can bounce up and down, link arms and stomp their boots with fervor.
But despite any rowdiness, fans were attracted to the heart within the songs — the same heart that has the brothers shouting their meaningful lyrics into the mic, and then repeating them again as ad-libs into the air. Fans emphasize the lyrics, singing the words carefully and passionately. Humble lyrics like "I wanna fit in to the perfect space/ feel natural and safe in a volatile place./ And I wanna grow old without the pain/ give my body back to the earth and not complain" on "The Perfect Space" make you understand why.
The guys played show staples like "Murder in the City" and "The Ballad of Love and Hate," but also dished out new songs from their latest abum, Magpie and the Dandelion — "Morning Song," "Skin and Bones" and "Vanity." In smaller theaters, "Love/Hate" would've absolutely silenced a crowd, but with thousands of people feeling the camaraderie, the sensitive song turned into a sing-along.

The band, who is playing Hangout Fest in May, pulled out the Old Crow Medicine Show fiddler for a cover of "Thank God I'm A Country Boy," made famous by John Denver. During the Avetts' encore, Old Crow joined in again, this time for "Will the Circle Be Unbroken?" and the Spaniels' "Goodnight, Sweetheart, Goodnight," with Seth handling the low notes.

In the end, the Avett Brothers never had to beg "Brooklyn, take me in." They made the night at Barclays their own, as if they belonged there all along.